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  • The Moon Book : From Imagination to Exploration
    The Moon Book : From Imagination to Exploration

    The Moon has been an object of fascination for religions, cultures, and societies the world over since the dawn of humanity. The Moon Book is a beautifully illustrated account of our lunar neighbour in all its guises: a guiding light in the night sky, the driver of oceanic tides and natural cycles, the subject of exhaustive scientific study, and an enduring influence in literature, art, and popular culture. Entries explore theories for the Moon’s origins around 4.5 billion years ago, its influence on the calendar systems and methods of navigation of early societies, its role in the invention of the telescope and the science-fiction genre, the incredible story of the first Moon landings, and much more.Specially commissioned illustrations capture the Moon's phases and motions in vivid detail, while stunning photography and artefacts bring to life the rich history of lunar observation and exploration. The last chapter of the book offers extensive coverage of NASA’s Artemis mission to return astronauts to the lunar landscape in 2026, paving the way for future missions to Mars.Additionally, the book includes a guide to observing the Moon, complete with annotated maps and illustrated profiles of key features such as Tycho crater and the Sea of Tranquility. Straddling science, culture, and history across the globe, The Moon Book is a captivating and richly informative celebration.

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  • Survival Takes a Wild Imagination : Poems
    Survival Takes a Wild Imagination : Poems

    In the powerful follow up to her critically acclaimed debut collection, poet and activist Fariha Róisín is writing, praying, clawing, and scratching her way out of the grips of generational trauma on the search for the freedom her mother never received and the kindness she couldn’t give. This collection of poetry asks a kaleidoscope of questions: Who is my family?My father? How do I love a mother no longer here? Can I see myself? What does it mean to be Bangladeshi? What is a border? Innately hopeful and resolutely strong, Fariha's voice turns to the optimism and beauty inherent in rebuilding the self, and in turn, the world that the self moves through.Ubiquitous to the human experience, Survival Takes a Wild Imagination is an illuminating breath of fresh air from a powerful poetic voice.

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  • Imagination!
    Imagination!


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  • Imagination (Wonder & Imagination) Unlined Hardcover Journal
    Imagination (Wonder & Imagination) Unlined Hardcover Journal

    The boundless dreams of childhood are within reach in the enchanting works of Victor Nizovtsev, such as the painting reproduced on our Imagination journal cover.The artist’s stated hope is that his paintings “will give people a small taste of their childhood and will inspire their own stories.”

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  • What is imagination?

    Imagination is the ability to form mental images, ideas, and concepts that are not present in our immediate surroundings. It allows us to visualize things that do not exist or have not yet happened, enabling us to be creative, innovative, and problem-solve. Imagination is a powerful tool that helps us explore new possibilities, think outside the box, and envision a better future.

  • Was it imagination?

    Imagination is the ability to form mental images, sensations, and concepts that are not present to the senses. It is a creative and cognitive process that allows us to explore possibilities and envision new ideas. Whether something is imagination or not depends on the context and the individual's perception. It could be a product of imagination if it is a creative idea or a mental image, but it could also be a real experience or observation. Ultimately, the determination of whether something is imagination or not is subjective and can vary from person to person.

  • Fantasy or imagination?

    Fantasy and imagination are closely related but not the same. Imagination is the ability to form mental images, ideas, and sensations that are not present in reality, while fantasy is a genre of fiction that often involves magical or supernatural elements. Imagination is a fundamental cognitive process that allows us to think creatively and problem-solve, while fantasy is a specific type of creative expression. Both are important for creativity and innovation, but they serve different purposes in our cognitive and emotional lives.

  • Do animals have imagination?

    While animals may not have the same level of imagination as humans, there is evidence to suggest that some animals do possess a degree of imagination. For example, certain species of birds have been observed using tools in creative ways to solve problems, which could indicate a level of imagination. Additionally, animals like dolphins and elephants have displayed behaviors that suggest they can think beyond their immediate circumstances and imagine different possibilities. Overall, while the extent of animal imagination may differ from humans, there are indications that some animals do possess this cognitive ability to some degree.

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  • Anthropocene Ecologies : Entanglements of Tourism, Nature and Imagination
    Anthropocene Ecologies : Entanglements of Tourism, Nature and Imagination

    Anthropocene Ecologies brings political ecology and tourism studies to bear on the Anthropocene.Through a collective examination of political ecologies of the Anthropocene by leading scholars in anthropology, geography and tourism studies, the book addresses critical themes of gender, health, conservation, agriculture, climate change, disaster, coastal marine management and sustainability.Each chapter theoretically and empirically unravels entanglements of tourism, nature and imagination to expose the political-ecological drivers of the Anthropocene as a material and symbolic force and its deepening integration with tourism.Grounded in ethnographic and qualitative research, the volume is interdisciplinary in scope, yet linked in its shared focus on the political threat as well as the social potential of the Anthropocene and its imaginaries.This collection contributes to emerging scholarship on tourism, sustainability and global environmental change in the current geological epoch. Anthropocene Ecologies will be of great interest to political ecology focused scholars of tourism, socio-environmental change and the Anthropocene.The chapters were originally published as a special issue in the Journal of Sustainable Tourism.

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  • Data Sketches : A journey of imagination, exploration, and beautiful data visualizations
    Data Sketches : A journey of imagination, exploration, and beautiful data visualizations

    In Data Sketches, Nadieh Bremer and Shirley Wu document the deeply creative process behind 24 unique data visualization projects, and they combine this with powerful technical insights which reveal the mindset behind coding creatively.Exploring 12 different themes – from the Olympics to Presidents & Royals and from Movies to Myths & Legends – each pair of visualizations explores different technologies and forms, blurring the boundary between visualization as an exploratory tool and an artform in its own right.This beautiful book provides an intimate, behind-the-scenes account of all 24 projects and shares the authors’ personal notes and drafts every step of the way. The book features:Detailed information on data gathering, sketching, and coding data visualizations for the web, with screenshots of works-in-progress and reproductions from the authors’ notebooksNever-before-published technical write-ups, with beginner-friendly explanations of core data visualization conceptsPractical lessons based on the data and design challenges overcome during each projectFull-color pages, showcasing all 24 final data visualizationsThis book is perfect for anyone interested or working in data visualization and information design, and especially those who want to take their work to the next level and are inspired by unique and compelling data-driven storytelling.

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  • Explaining Imagination
    Explaining Imagination

    This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence.It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Imagination will remain a mystery--we will not be able to explain imagination--until we can break it into parts we already understand.Explaining Imagination is a guidebook for doing just that, where the parts are other ordinary mental states like beliefs, desires, judgments, and decisions.In different combinations and contexts, these states constitute cases of imagining.This reductive approach to imagination is at direct odds with the current orthodoxy, according to which imagination is a sui generis mental state or process—one with its own inscrutable principles of operation.Explaining Imagination upends that view, showing how, on closer inspection, the imaginings at work in hypothetical reasoning, pretense, the enjoyment of fiction, and creativity are reducible to other familiar mental states—judgments, beliefs, desires, and decisions among them.Crisscrossing contemporary philosophy of mind, cognitive science, and aesthetics, Explaining Imagination argues that a clearer understanding of imagination is already well within reach.

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  • The Imagination
    The Imagination

    ‘No matter how long I may look at an image, I shall never find anything in it but what I put there.It is in this fact that we find the distinction between an image and a perception.' - Jean-Paul SartreL’Imagination was published in 1936 when Jean-Paul Sartre was thirty years old.Long out of print, this is the first English translation in many years.The Imagination is Sartre’s first full philosophical work, presenting some of the basic arguments concerning phenomenology, consciousness and intentionality that were to later appear in his master works and be so influential in the course of twentieth-century philosophy. Sartre begins by criticising philosophical theories of the imagination, particularly those of Descartes, Leibniz and Hume, before establishing his central thesis.Imagination does not involve the perception of ‘mental images’ in any literal sense, Sartre argues, yet reveals some of the fundamental capacities of consciousness.He then reviews psychological theories of the imagination, including a fascinating discussion of the work of Henri Bergson.Sartre argues that the ‘classical conception’ is fundamentally flawed because it begins by conceiving of the imagination as being like perception and then seeks, in vain, to re-establish the difference between the two.Sartre concludes with an important chapter on Husserl’s theory of the imagination which, despite sharing the flaws of earlier approaches, signals a new phenomenological way forward in understanding the imagination. The Imagination is essential reading for anyone interested in the philosophy of Jean-Paul Sartre, phenomenology, and the history of twentieth-century philosophy. This new translation includes a helpful historical and philosophical introduction by Kenneth Williford and David Rudrauf.Also included is Maurice Merleau-Ponty’s important review of L’Imagination upon its publication in French in 1936. Translated by Kenneth Williford and David Rudrauf.

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  • Imagination or Reality: Spider?

    Spiders are a reality in the natural world, existing in various species and habitats around the globe. However, the fear or fascination that spiders evoke in individuals can often lead to imaginative interpretations or exaggerated perceptions of these creatures. While some may view spiders as terrifying or dangerous, others may appreciate their role in controlling insect populations and admire their intricate webs and unique characteristics. Ultimately, the perception of spiders can vary between imagination and reality, depending on individual experiences and perspectives.

  • Has the imagination diminished?

    No, the imagination has not diminished. In fact, with advancements in technology and access to a wide range of creative outlets, the imagination has the potential to flourish more than ever before. People are constantly creating and consuming new forms of art, literature, and media, which requires a strong imagination. Additionally, the ability to envision and create new solutions to complex problems is a key aspect of human imagination, and this capacity continues to be essential in various fields such as science, engineering, and design. Therefore, the imagination remains a powerful and essential aspect of human creativity and innovation.

  • Is faith just imagination?

    Faith is not just imagination. While imagination can play a role in shaping one's beliefs and understanding of faith, faith itself is a deeply held conviction or trust in something that is beyond the realm of empirical evidence. It involves a strong belief in something greater than oneself, and often serves as a source of hope, comfort, and guidance in the face of uncertainty. Faith can be based on personal experiences, teachings, or spiritual insights, and is not simply a product of imagination.

  • Electric shock or imagination?

    Electric shock and imagination are two very different things. Electric shock is a physical sensation caused by the flow of electric current through the body, while imagination is a mental process of creating images, ideas, or sensations that are not actually present. It is important to differentiate between the two in order to accurately assess and address any potential risks or concerns. If someone is experiencing symptoms of electric shock, it is important to seek medical attention immediately, while imagination is a natural and creative aspect of human cognition.

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